HOLY NIGHT - Vintage 7"x 5" Framed 16th Century Classic Art Print by Correggio-Beautiful Gift for Students of Art and Religion!


$ 24.99

ADORATION OF THE SHEPHERDS (HOLY NIGHT) - Vintage 7"x 5" Framed 16th Century
Classic Art Print by Correggio-Beautiful Gift for Students of Art and Religion!

Vintage 1960's classic art print by Antonio da Correggio (1494-1534): ADORATION OF THE SHEPHERDS (HOLY NIGHT) - Vintage 7"x 5" Framed 16th Century Classic Art Print by Correggio-Beautiful Gift for Students of Art and Religion! from the painting located at the Old Masters Gallery in Dresden, Germany. Stunning black & white print-in mint condition, measures 5" high x 7" wide. The glass frame measures 7 1/4"H x 9 1/4"W and has easel on back for table display and eye hooks for wall hanging. Adds instant retro/classic charm to any room. Perfect gift for lovers of the Renaissance Art and students of religion. We ship fast & safe worldwide every day!

See artist information and painting bio below.

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Bio:

The Nativity (also known as The Holy Night (or La Notte) or as Adoration of the Shepherds) is a painting finished around 1529–1530 by the Italian painter Antonio da Correggio. It is housed in the Gemäldegalerie Alte Meister, Dresden. Copy by Theresa Concordia Mengs, circa 1746

The work was commissioned from Correggio in October 1522 by Alberto Pratoneri for the family chapel in the church of San Prospero of Reggio Emilia: completed at the end of the decade, it was placed in the chapel in 1530. In a what was considered a minor sacrilege, the painting was absconded in 1640 by duke Francesco I d'Este and taken to his private gallery, it was moved to Dresden in 1746.

The artist, following the trail blazed by a number of celebrated works by Titian, interpreted a scene that is fully 'à la chandell' ("of the candle") and produced an outstanding result in the Chiaroscuro treatment of light. The scene pivots around the Child, surrounded by Mary's arms, with a group of shepherds on the left, of which the bearded figure is portrayed in the same position of Jerome in the Madonna of St. Jerome (Correggio) (c. 1523). On the right are the traditional presepe animals and St. Joseph. The upper left part features several angels reminiscent the ardite positions in Correggio's dome of the Cathedral of Parma, executed in the same years.

This work pointed the way toward the future Lombard investigation of luministic effects, and was used as a model by such painters as Camillo Procaccini, Luca Cambiasi, Guido Reni and Domenichino, and even later on, by Barocci and Maratta. A 1724 copy of the painting hangs in the chapel of Palais Rohan, Strasbourg.

More:

Nativity, also known as The Holy Night or the Adoration of the Shepherds, was commissioned by Alberto Pratoneri for his family chapel in the church of St. Prosper of Reggio Emilia, in 1522. Correggio did not finish the work until the end of the decade, and it was placed in the church in 1530. The painting pivots around the baby, cradled in Mary’s arms, who emits a soft yellow glow, illuminating the dark night. A group of several angels hide in the clouds above, witnessing the scene. The painting was moved to Modena, Italy in 1640, and it is now housed in the Old Master’s Picture Gallery in Dresden, Germany.